Free PDF The Compleat Dancing Master: A Translation of Gottfried Taubert's Rechtschaffener Tantzmeister (1717). Vol. I: Introduction. Vol. II: Trans
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The Compleat Dancing Master: A Translation of Gottfried Taubert's Rechtschaffener Tantzmeister (1717). Vol. I: Introduction. Vol. II: Trans
Free PDF The Compleat Dancing Master: A Translation of Gottfried Taubert's Rechtschaffener Tantzmeister (1717). Vol. I: Introduction. Vol. II: Trans
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- Sales Rank: #3023920 in Books
- Published on: 2012-03-28
- Original language: English
- Number of items: 2
- Dimensions: 9.19" h x 2.15" w x 6.26" l, 3.94 pounds
- Binding: Hardcover
- 1189 pages
Review
«Gottfried Taubert’s ‘Rechtschaffener Tantzmeister’ is an invaluable but little-known book about dancing during the Baroque era, to be sure, but it is also a unique source of information about musical performance practices, teaching methods, expected modes of moral behavior, courting rituals, lifestyles and even physical fitness goals in Germany during the first half of the 18th century. The publication of Tilden Russell’s superb complete translation is therefore a noteworthy event, since it makes available to English readers for the first time one of the more fascinating accounts of the period.» (Mark Kroll, Early Music America 18.3, Fall 2012)
«One of the most exciting things to happen in the rarified field of eighteenth-century dance in a long while is the publication of Gottfried Taubert’s ‘Rechtschaffener Tantzmeister’ in English...the amount of information in this book, whether old, new, unique, or known but little considered, is monumental and, I hope, will find its way into classes, reconstructions, and performances of eighteenth-century dance before too long. ‘The Compleat Dancing Master’ offers clear-cut evidence of exactly how the French style was integrated into a foreign society.» (Thomas Baird, Dance Chronicle 36, 2013)
«This very welcome translation is a ‘must-have’ for dance history scholars; it will also appeal to anyone with an interest in European culture & society.» (Ken Pierce, Dance Research 31, 2013)
About the Author
Tilden Russell, Professor emeritus of Music at Southern Connecticut State University, is co-author, with Dominique Bourassa, of The Menuet de la cour (2007). Best known for his work on the minuet and scherzo, and on Gottfried Taubert, he has written and lectured also on the comic in music, history of the violoncello, musical iconography, and Beethoven, with articles published in The Journal of Musicology, Journal of the American Musicological Society, Musical Quarterly, Acta musicologica, Imago musicae, Beethoven Forum, Dance Research, and elsewhere, including The New Grove, second edition. The Compleat Dancing Master, his translation of Taubert’s Rechtschaffener Tantzmeister, has been over a dozen years in the making.
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